After a year of debate, another Sopranos' blog attempts to provide the definitive-- and I mean definitive-- coherence to our final moments with the Sopranos family. Here is the overview of the piece:
Part I will also discuss (and debunk) the other theories about the end including the “Tony always looking over his shoulder” interpretation. Part II, will concentrate on what Tony’s death means and how his death was thematically constructed throughout the final season. Part III will focus on the use of symbolism in Holsten’s. Part IV will focus on “The Godfather” influence on the final season and Tony’s death. Part V will focus on how the final episode and final scene are linked to America’s war on terrorism. Part VI will concentrate on the “fun stuff” created by Chase and his creative team to foreshadow Tony’s death. Finally Part VII will discuss the possible inspiration of two films on the ending of “The Sopranos”.You can read the essay in full here. Enjoy as it helps ease the pain in our post-Sopranos world.
1 comment:
We miss our weekly dinners with the Sopranos and our good friends Solon et al. In fact, Mr. P-Duck and I just commented on this yesterday as we enjoyed an Italian dinner and watched an episode of *Rome* (there are some similarities between ancient Rome and mafia dramas).
I just started reading the article and am enjoying the author's use of film theory to support his(her?) argument. I don't want Tony to be dead, but his argument is convincing.
Post a Comment