Also noteworthy about Time's list is that in the oughts, there is an Elvis album. This seems odd, especially if we judge the album by the impact.
In 2005, Spin released Spin's Top 100 from 1985 - 200.. Spin's criteria: "Because it pushes a unique vision from the margins to the mainstream (or the margins of the mainstream), reshaping both. Until someone new (a Wu-Tang Clan or White Stripes) emerges to redraw the margins all over again. These records tell us something different with every listen; even at their tiniest, they make private epiphanies feel like public events." Their top ten:
10. N.W.A - Straight Outta Compton
9. PJ Harvey - Rid Of Me
8. Prince - Sign O The Times
7. De La Soul - 3 Ft. High And Rising
6. Pixies - Surfer Rosa
5. The Smiths - The Queen Is Dead
4. Pavement - Slanted & Enchanted
3. Nirvana - Nevermind
2. Public Enemy - It Takes A Nation...
1. Radiohead - OK Computer
Reactions to the list? What is included that should not be? What is missing that should be? Why should we care about these lists?
My complaints on Spin's:
U2 - Achtung Baby- The Jushua Tree does not make this list but the decline of U2 is on the list.
Where is Ani DiFranco?
Should this be judged by songs? (Lisa Loeb's "Stay" is missing and this song bridged the gap between indie rock and mainstream alternative almost in the same way that The Singles Soundtrack did.
2 comments:
Seems like Weird Al shuld be in there somewhere, if not for an entire album (Though what Album is more fun, what Title better, than "Running With Scissors"?), at least for a single. Whether in terms of impact of aesthetic weight, "Eat It" and "Like a Surgeon" had everyone laughing back in the day.
And then there was the Great Hit, "Another One Rides The Bus." Now that there was a great song, featuring the epic lines:
"Well I think I'm missing a contact lens/I think my wallet's gone/I think this bus is a'stoppin again'/Let a couple more freaks get on/[. . .] And another gets on and another gets on/Another one rides the bus!"
The parodic genre is very important and yet time and time again gets overlooked in literary criticism, sports commentary, and yes--pop music. The Outrage Continues. Weird Al, and all the many he has inspired, once again stands dissed.
At the same time it's always nice to see lists with "OK Computer" at the top, whatever the context.
There needs to be more such lists. Indeed, Harrogate hereby proclaims it to be solon's patriotic duty to make a new list, establishing whatever criterion he wants, so long as at the end of the process "Ok Computer" winds up at the top.
But it wouldn't hurt if solon could get Weird Al in there as well.
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